Cecil Howard – Scoundrels (1982)

Gregory Dark – Body of Influence (1993)

 

John Hayes – Baby Rosemary (1976)

Jack Remy - Плоть и экстаз / Flesh And Ecstasy (1985)

Henning Schellerup – The Black Alley Cats (1973)

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Alan Vydra – Sound of Love (1982)

Joseph W. Sarno – A Touch of Genie (1974)

Touch_of_Genie_A.avi - 1.3 GB

Peter de Rome – The Erotic Films of Peter de Rome (1966-1972)

Antonio Shepherd – Chorus Call (1979)

Peter Savage – Sylvia AKA A Saint, a Woman, a Devil (1977)

Summary
Sylvia is seemingly a quiet, reserved, saintly person living on a quiet, reserved well-manicured street in upper-middle class suburbia. However, Sylvia is hiding a secret – she has a multiple promiscuous personality disorder. However, one of her other personas is about to cross the line.

Henri Pachard – Babylon Pink (1979)

Often imitated, never duplicated, Babylon Pink is the blushing-hot Female Fantasy Film of All Time! The outrageous CECIL HOWARD and HENRI PACHARD join forces for a long- shameless probe into the most intimate erotic desires of the hottest stars in the world! Never before has a film been this nasty- this unforgettable!!! You'll see VANESSA DEL RIO- a tigress in heat...SAMANTHA FOX in total submission...MERLE MICHAELS- an erotic plaything for naughty eurasian ARCADIA LAKE and stud ERIC EDWARDS...GEORGINA SPELVIN - outstripping all her previous performances in unspeakable ecstasy...DEBBIE REVENGE- queen of defiled sensuality - eaten alive by desire...GEORGETTE SANDERS- all wicked innocence and burning curiosity...and more! For seasoned - willing adults ONLY- this Adult Film Asssociation BEST PICTURE OF THE YEAR is required viewing for anyone who wants the best possible erotica!!!An Erotic Experience For The Experienced Eroticist...

James Frawley – Fraternity Vacation (1985)

Radley Metzger – The Lickerish Quartet (1970)

Synopsis :
In their castle, a wealthy couple (Frank Wolff and Erika Remberg) watch a blue movie with their adult son, played by Paolo Turco. Later that evening at a local carnival, they spot a woman (Silvana Venturelli) who appears to be one of the performers in the film and decide to take her home with them. Although a subsequent viewing of the film calls the woman's identity into question, their house guest quickly succeeds in seducing the various members of the family, resulting in the revelation of certain facts, fears and desires.

Henri Pachard – Babylon blue (1984)

Synopsis:


Early morning: Martin (Joey Silvera) is released from prison… He served six months for receiving money for sex… Big Money… He’s a first class gigolo.
When Missie (Sharon Kane) picks him up and take him home, he’s right back where … Full Descriptionhe began.
Missie has created New York’s newestand most sensational House of Pleasure… For Women as well as men. Martin is the new, hot attraction for women. Cheryl (Bridgette Monet) is the new hot sensation for the male customers.
Through a series of sexual events, we see the empire build into a fast paced, erotic journey for both the customers and the professionals.
Moth Bridgette Monet and Joey Silvera want out. However, Sharon kane needs them both, so she devises methods of keeping them on the job. She puts Bridgette to work with “Jack”, another male hooker… but it backfires. They fall in love and leave Sharon Kane with our hero, Martin.
What Sharon didn’t expect really does her in… She falls in love… The Empire Closes. Martin And Missie look at themselves for the first time, and at each other…

Richard Franklin - The Oral Generation (1970)

Quote:
Presented by “Family Studies Institute” THE ORAL GENERATION purports to be the first sexual instruction film aimed at liberated women; although it’s focus is of course on how a woman can please a man (or how a woman can please a woman with a man watching) in a non-conventional manner. The narration describes the greater availability of literature on sexuality aimed at female readers (although what we are shown on-camera are the usual texts from Kinsey to Krafft-Ebing to "The Joy of Sex" and "The Sensuous Woman" as well as the usual porn magazines) as well as female-focused films (during a montage of 42nd Street porn theater marquees). The oral sex interludes intercut with this academic discussion take the form of anecdotes by wives surprising their husbands in the showers or role-playing as their husbands secretaries (the only interlude that is remotely arousing in its rhythmic and escalating intercutting). There's also a bizarre vignette involving a black samurai and a ménage a trois. Credits are non-existent for this one, but one of the performers appears to be Tina Russell (the 1970 date comes from Vinegar Syndrome's back cover).